[{"data": {"name": "EL REFLEJO DE LA SOCIEDAD FRANQUISTA EN EL CINE DE JUAN ANTONIO BARDEM: Muerte de un ciclista (1955) y Calle Mayor (1956)", "@type": "ScholarlyArticle", "genre": "journal-article", "author": [{"name": "Maria Marcos Ramos", "@type": "Person"}], "license": "cc-by-nc", "@context": "http://schema.org/", "encoding": [{"@type": "MediaObject", "contentUrl": "https://sistemas.uft.edu.br/periodicos/index.php/observatorio/article/download/2367/8872", "encodingFormat": "application/pdf"}], "publisher": {"name": "Universidade Federal do Tocantins", "@type": "Organization"}, "identifier": [{"@type": "PropertyValue", "value": "10.20873/uft.2447-4266.2016v2n3p62", "propertyID": "DOI"}, {"@type": "PropertyValue", "value": "CCDdkditp2wu5-CTA1YvjUhRn3Z-CDLapmWanc9Me-CRvp3VfUnA2rV", "propertyID": "ISCC"}], "datePublished": "2016-08-31"}, "schema": "schema.org", "mediatype": "application/ld+json"}]