[{"data": {"name": "MANUEL PARADA Y LA M\u00daSICA CINEMATOGR\u00c1FICA ESPA\u00d1OLA DURANTE EL FRANQUISMO: ESTUDIO ANAL\u00cdTICO", "@type": "ScholarlyArticle", "genre": "journal-article", "author": [{"name": " Gonz\u00e1lez", "@type": "Person"}], "license": "cc-by-nc-nd", "@context": "http://schema.org/", "encoding": [{"@type": "MediaObject", "contentUrl": "http://digibuo.uniovi.es/dspace/bitstream/10651/12897/1/TD_LauraMirandaGonzalez.pdf", "encodingFormat": "application/pdf"}], "publisher": {"name": "JSTOR", "@type": "Organization"}, "identifier": [{"@type": "PropertyValue", "value": "10.2307/24245742", "propertyID": "DOI"}, {"@type": "PropertyValue", "value": "CCcYEeQSJRBAQ-CT6xTvtny7KLG-CDhZa35V5Zs86-CRvYDEFszEADt", "propertyID": "ISCC"}], "datePublished": "2013-01-01"}, "schema": "schema.org", "mediatype": "application/ld+json"}]